Tuesday, 24 July 2012

At the Tate Modern - Assignment 3, Buildings in use Part 5

1. Light, shadows and sculpture
 I decided to visit the Tate Modern partly because of the massive display area that I knew usually holds some kind of exhibition within it. Unfortunately there wasn't one in the main display area but I thought I got over this quickly and soon found more (much smaller) rooms where there was interesting light. I was impressed with how the Tate Modern almost 'escorted' the visitor around the galleries. There were many different kinds of galleries - like interactive ones as well as more conventional ones where there were paintings.


2. A closer look
   So, (not getting distracted!) I found one, large and spacious room with tall and wide windows from one side only. Because of the time of day and the nature of the windows, the shadows of people crossing where the light from the windows fell was interesting. These suggested with the right composition, which I thought I managed to find (photograph 1.), the vast size of the room and the relationship between the highlighted people (from the light of the windows) and the tall sculpture the room was accommodating.

   Next I wanted to show how the gallery 'escorted' the visitor (as mentioned earlier) around it. The parts to a floor were mostly divided by many doors in line with each other. The rooms of the floor congregated to the middle side of each floor. This meant I could get a shot where all the line of doors for part of a floor lined up and still show a visitor staring intently at one of the works of art (photograph 2.).


3. Observing the art
   Lastly, I found another space with a window: this time shorter and creating less vivid shadows as photograph 1., as the Sun was to photograph 1.'s side of the building. Photograph 3. aimed to show the gallery in use again but with an emphasis on the part-silhouettes and their fascination with the different works of art they were looking at.

   Overall I was pleased with the quality of most of my photographs but more so with the amount I gathered as I carried out the assignment. I discovered first and foremost that light could be key in suggesting a relationship between people and the buildings they were using. Also that composition (especially at the gym and Tate Modern and ) could make the photograph stand out more. At Covent Garden I felt colour was as important in getting across the atmosphere of the place.

At the Chapel in Brockley Cemetery -Assignment 3, Buildings in use Part 4


1. Looking into the chapel
1. gave the set of photographs a sense of place with the gravestones being key and the people in the entrance to the chapel showing it was being used.

2. Observer looking at information about the chapel and cemetery
   This was probably the most small and confined building I chose to photograph. Also the lighting was quite challenging to overcome. However, I thought I demonstrated how this building was being used effectively, with photograph 2. being the most informal. Here the man was clearly gaining insight to the workings of the chapel/cemetery and it was also clear the photograph was taken from inside a chapel because of the large stained-glass window. I thought the light from the window added interest by casting light attractively onto the floor and bringing out the texture of it.

   Again with 3. the lighting was of interest with the people inside the chapel being slightly silhouetted and the people outside at the entrance blown out. It also showed an overview of the scene giving information about the size of the chapel and the amount of people using it. In retrospect I could have improved on less of the people's backs being turned and maybe some foreground interest too.

3. A gathering of people within the chapel
4. Conversing and refreshments at the chapel
   Photograph 4. was more evenly lit and there was foreground interest in comparison to 3. This was in the form of leaflets for the attenders to peruse. If I had added/waited for an attender to actually have a look at the leaflets this shot would have been more informative but I thought the people present in conversation showed how the chapel was being used.

'The Palm House' at Kew Gardens - Assignment 3, Buildings in use Part 3


1. Using the Palm House for study
I wanted largely to convey the size of  the Palm House at Kew Gardens because if you were to visit that part the vast size is the first thing that strikes you when you enter.

   For photograph 1. I was on the ground level looking for a shot to do the aforementioned when I stumbled across this young woman making a study of the palms at the Palm House and she graciously allowed me to take a photograph of her studying. I thought this was a very useful shot of the Palm House in use and that I was quite lucky to find it.

2. Exploring the Palm House by going up...
   To show the scale of the building and the people exploring it I chose to show the people visiting going up the staircase and then observing the canopy. The staircases were a beautiful (in my opinion) feature of the building (as well as of course the palms) and in combination with the light entering through the window and people climbing it I thought made 2. to be an attractive but effective photograph.

3. The Palm House in full use looking down
   With 3. I managed to capture a shot of the Palm House from a high viewpoint looking down on the palms and other visitors. There was added atmosphere from the mist-spraying devices and some of the glass and iron structure was evident, which were important features of the building. Maybe I could have improved on the interstingness of the visitors below in that they weren't looking up at the palms for instance but I thought it was still an effective shot from an interesting angle.

4. Going back down from the canopy
Lastly, I decided to logically show some visitors using one of the staircases to go back down, thus completing the 'tour' of the building in use. I thought this photograph showed well the elegance of both the staircase and the palms and there was also the detail of one of the visitors photographing the palms, which was quite a common occurrence within the Palm House.

A take on colourful Covent Garden - Assignment 3, Buildings in Use Part 2

1. A 'chained' performer inside the square



As I mentioned in my research for photographing Covent Garden, it used to be a food market but was now famous mainly for tourism in the form of merchandise and entertainment. I thought the interior of the market was very colourful and lively from the performers to the clothes stalls and this wasn't an exception in the outer square as you could see in photograph 4.
2. Perusing a clothes stall

   From a building in use point of view I felt it succeeded for two main reasons. Firstly, all of the square was full of different choices in food, crafts and clothes as well as performers including musicians. This allowed the tourists and other visitors to explore and pick what they wanted to purchase easily. Secondly, the arrangement of the inner square the market and the outer square was easy to navigate from my point of view, which complemented the vast array of choice.

   The important features of the building for me were the pillars, which showed the history of the building, the glass roof over the top of the main square/'Apple Market', the open central square and the very colourful market. I tried to incorporate these features into my photos, sometimes in combination with another feature. For example with photograph 3. I showed the vast space of the square with the glass roof overhead.
3. Overlooking the square and its music

   I was quite insistent on including people for this building because I felt they were so key to making the building seem so vibrant, especially the performers.

4. The outer part of the square
   I thought the over-the-shoulder perspective in 3. was effective in replicating the lively atmosphere of the place while still giving a good feel of the building in use. With photograph 2. I concentrated mainly on colour but also the sense of space within the building with the glass roof present at the top of the photograph. As far as showing the street performers in the context of the square, 1. and 4. depict how packed and well-used the square was both in the inner square (1.) and the outer square (4.).

At the Gym - Assignment 3, Buildings in use Part 1

I worked out at the gym (forgive the play on words!) that since there was a lot of activity going on that it would be quite a simple building to photograph being used.

   The gym was designed to help people get fit, whether this was to lose fat or gain muscle. In keeping with this those two aspects of getting fit were mostly separated: weight machines were located on the ground floor with the exercise balls and running machines on the first. Then there were also other rooms on the lower floor for dancing etc. My impressions of the gym when I actually arrived was it was spacey, which was a good thing: as the people who used it were respiring heavily this was a necessity in my opinion. There was also an abundance of windows: also a good thing as the people using it wouldn't feel confined. I saw this as a good thing for me too because it meant I could use the windows for different lighting.


1. A low viewpoint replicating these three gym user's point of view

2. Symmetrical patterns in the mirror at the gym
3. A tilted orientation replicating the user's viewpoint again
   In order to make my photos stand out from the usual treatment I decided to employ three techniques for the three photographs. The techniques consisted of: a low viewpoint aiming to replicate the user's point of view. Secondly, I included mirrors in two of the images. This showed how people utilised the gym mirrors by looking in them while they exercised. I thought this was effective in demonstrating how the building was used while adding interest to the photographs because I felt it was an attractive feature of the gym. The reason for this was because the mirrors were large in size and obviously reflected what was going on in the gym and so could be used creatively; for instance symmetrical patterns. Lastly, I chose a tilted camera angle as the viewpoint for the photograph of two dancers using a separate space inside the gym. The reason I chose this viewpoint was to try and emulate their perspective of the space as they were doing a lot of acrobatic moves, which I thought was interesting.

   With photograph 1. I thought the low viewpoint was effective because it showed both the user's viewpoint and a glimpse at the top of the frame of the different usage of the gym (aerobic) as I'd mentioned earlier on the top floor. This was in contrast to the heavy weights being lifted on the bottom floor.

   I felt the strong lighting in 2. and the symmetrical patterns were impactful as well as functional so I was pleased with this photograph. The feel of the photograph was more open in my opinion, which was in contrast to 1. where the impression for me was more confined. This was mainly due to the strong lighting from the windows landing on the floor and more subtly the mirror served to create a seemingly larger space.

   With 3. the mirrors somewhat resolved the sense of confinement that was present for me in the photograph but in some ways this sense of being inside a relatively (compared to the previous shot) small space wasn't a bad thing. This was because it was in keeping with the out-of-the-ordinary angle of the viewpoint, which was an attempt to immerse the viewer in the space.

Bibliography - Buildings and spaces

 R. Angier (2007), Train Your Gaze, AVA Publishing SA, Lausanne (2007).

S. Carruthers, The King Alfred, http://simoncarruthers.org.uk/portfolio/king-alfred/

S. Carruthers, The King Alfred, [Photograph]. In M. Short (2011), Basics Creative Photography O2, Context and Narrative, Lausanne: AVA Publishing SA, pages 92-93.

C. Cotton (2009), the photograph as contemporary art – New Edition 2009, Thames and Hudson, London WC1V, 7QX, 2009.

B. Ellis, Where Light Dwells, http://www.photoeye.com/gallery/forms2/index.cfm?image=1&id=12375&imagePosition=1&Door=7&Portfolio=Portfolio1&Gallery=2&Page=

M. Short (2011), Basics Creative Photography O2, Context and Narrative, Lausanne: AVA Publishing SA.

D. Spero, 'Ball Photographs' http://www.davidspero.co.uk/imagepages/ball/001ball.html 

D. Spero, 'Interiors' (1997-2000), http://www.davidspero.co.uk/imagepages/interiors/001interiors.html

S. Szwajkos, Personal Space,
http://www.damnrabbitstudios.com/#/portfolios/fine-art/personal-space/080413-02-4-Edit_NEW

 J. Wall - Insomnia, 1994 in C. Cotton, the photograph as contemporary art – New Edition 2009, C. Cotton, Thames and Hudson, London WC1V, 7QX, 2009, page 50.

L. Wells (2009), Photography: A Critical Introduction - 4th Edition, Routledge, 2 Park Square, Milton Park, Abingdon, Oxon, OX14, 4RN.

Reference page - Buildings and spaces

S. Carruthers, The King Alfred, http://simoncarruthers.org.uk/portfolio/king-alfred/

S. Carruthers, The King Alfred, [Photograph]. In M. Short (2011), Basics Creative Photography O2, Context and Narrative, Lausanne: AVA Publishing SA, pages 92-93.

C. Cotton , the photograph as contemporary art – New Edition 2009, C. Cotton, Thames and Hudson, London WC1V, 7QX, 2009, page 50.

B. Ellis, Where Light Dwells, http://www.photoeye.com/gallery/forms2/index.cfm?image=1&id=12375&imagePosition=1&Door=7&Portfolio=Portfolio1&Gallery=2&Page=

D. Spero, 'Ball Photographs' http://www.davidspero.co.uk/imagepages/ball/001ball.html 

D. Spero, 'Interiors' (1997-2000), http://www.davidspero.co.uk/imagepages/interiors/001interiors.html

S. Szwajkos, Personal Space,
http://www.damnrabbitstudios.com/#/portfolios/fine-art/personal-space/080413-02-4-Edit_NEW

 J. Wall - Insomnia, 1994 in C. Cotton, the photograph as contemporary art – New Edition 2009, C. Cotton, Thames and Hudson, London WC1V, 7QX, 2009, page 50